mauvais-genre-cinema

Le Travail

mauvais-genre-cinema:

Vous n’êtes pas sans savoir que l’actualité des intermittents, et notamment de ceux du cinéma, est particulièrement agitée ces temps-ci : d’une part, le fonctionnement de ce statut est dans une phase de négociations houleuses entre les différentes institutions impliquées. D’autre part, les conventions collectives spécifiques au cinéma sont également renégociées, non sans moins de désaccords. En dehors des nécessités techniques et des discours très partisans de tous côtés, il est indispensable de faire la lumière sur des données incontestables dans ce domaine.

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nightsxo

nightsxo:

i did a mix for a friend of mine @ onefortydeep showcasing music ive written over the last 7 or so months. and ive done an interview here

ps the mix is a free download :)

tracklisting

The Rain
Spectre
Introspective
Gotham
Edge of the Universe
Marble Plexus
Submerged
10,000 Years
Through the Ashes of Empires
Contradictions (Bandcamp)
Cosmos
Abyss
Relic
Nasir (Bandcamp)
Warning (feat Harmful Logic)
Rift (Edit) (Juno Download)
solitude
Lost City
Cairo
Virus
Pillars of Ice
Two Bad Brothers Do Hollywood (feat Charlux)
GTR

Yeah!

Can you share some wisdom with us on the importance of outputting the DJ mixer at the correct decibel level?

Well, this is a subject that winds me up to no end. Mixer manufacturers have tried to make it as simple as possible for DJs. Mixers always have a simple traffic-light system of green, orange, and red—and yet too many DJs, including famous professionals, completely ignore the system.

Green means the sound is working well, orange means you are getting close to distortion, and red means you are clipping the output stage of the mixer. How much simpler can it be? DJs who run flat out into red are basically unbelievably ignorant. In some ways, it’s insane because sound engineers such as myself have done all this careful work to achieve near perfection of sound in a nightclub, and then some unaware person slams it into red.

Why is red such a bad thing?

All electronic components can only deal with so much power before they become saturated and produce distortion instead of linear clean sound. If you run it into red, eventually it will meltdown electrically and cease to work. So in order to protect expensive soundsystems, pretty much every club in the world places limiters on their soundsystems. So while the DJ thinks, “Let’s turn it up by pushing it into red,” in reality it won’t be any louder on the dance floor because the limiters will prevent that from happening. All you are really doing when you push a mixer into red is distorting the music and insulting the people who give us a living—the clubbers.

And another galactic wisdom from Tony Andrews.

Do you think we are close to constructing the perfect soundsystem?

We’ll never get a soundsystem that is perfect. Unless maybe we ionize the air by heating it to 20,000 degrees so that we can directly modulate the plasma, using magnetic fields. Until that happens, soundsystems will continue to be as imperfect as the world that we live in.

Tony Andrews, Founder of Funktion-One.